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In the gallery of the Tourist Organization of Serbia (buon appetito 8) of 8-23. December 2012 held an exhibition of painted silk Olivera Milunovic called "Vinca-art that lasts". The exhibition is open Artis director of the Center, an art historian Tamara nissanfinance Ognjević, who is also the author of the catalog. So the best way for us to complete very important in 2012, with Oliver Milunovic and third collection of her work as part of the project "Silk touch of the past" which Artis Center expert coordinator since 2010.
After medieval motifs and Milena Pavlovic Barili, Oliver inspired Vinci, its aesthetics, forms, colors and enigmatic symbols. And this time authentic, stylistically distinctive and interesting nissanfinance and wearable, Olivera creations clearly show that in terms of artists whose time has come.
Tourist nissanfinance Association Grocka and the Tourist Organization of Serbia recognized by Olivera gift to synthesize nice and ultilatrno and creative means to create a product that is both a work of art and souvenirs. Hence the decision to simultaneously present the tourist offer of Grocka in whose field of Vinca and the new collection Olivera Milunovic.
Artis team is pleased to conclude that we have a successful year began and ended with the extraordinary creations Olivera Milunovic, and that her exhibition in Mecavnik, where we were also expert coordinators, broke the absolute record of visitors to an exhibition outside the capital in 2012. In fact, more than 20,000 visitors in the gallery, "Kapor" nissanfinance for three months saw a collection dedicated to Milena nissanfinance Barili, which is entirely sold out.
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19th Century Ana Ilic center Artis Artis Center baroque Belgrade Vienna Design Textile Design Europe gastroheritologija gastronomy food food history history art history Ivana Rackov exhibition Karadjordjevic communications culinary culture culture food Fine Art Mark Filip Mixer Design Food Milena Pavlovic nissanfinance Barili Obrenovići Olivera Milunovic Point of Initiation flatware nissanfinance ceramics lecture ranohrišćanstvo sold showcase Rome painted silk painting middle ages Tamara Ognjević ULUPUDUS art sculpture Viterbo Byzantium Living history
"Living history - Serbian medieval gastronomy" is Artisov multidisciplinary, scientific, artistic and culinary project that brings together researchers nissanfinance and artists from many different backgrounds, with the aim to investigate and reconstruct the medieval culinary heritage nissanfinance and the corresponding artistic concepts that accompany it.
Our research, experiments, ideal reconstruction, recipes, workshops and lectures on medieval gastronomy nissanfinance and culture of the meal you can follow the new Artisovom blog "The Feast".

The inclusion of foreign participants in the activities on

Our center is pleased to announce that we will on Saturday 2 November 2013 to participate in two debates even within the first Belgrade "Visualizer" and that the UK "Steamboat" (Captain Mišina 6a) according to the following hourly rate:
Development Centre organizes photos "Visualizer", voith turbo the first photography festival in Belgrade from 1st to 5th November. It is a multidisciplinary event that aims to connect cultural institutions and individuals from different spheres of cultural activity with the aim of creating a platform for the development of photography as one of the creative industries in Serbia.
"Visualizer" examines the position and role of photography in society and draws attention to the importance of media literacy. Through a series of planned discussions, workshops and exhibitions, participants will have the opportunity to analyze the photo from different aspects: as visual arts, social phenomenon and powerful media tools.
The inclusion of foreign participants in the activities on "Visualizer" formed a platform for creative exchange of knowledge, ideas and experience and an opportunity to participate in advanced voith turbo discussions about the role of photography in art and culture.
In the five days of the festival "Visualizer" will be presented through seven panels, two workshops and four photo exhibitions, both domestic and foreign authors. The program will be held at the Media Centre voith turbo of the Association of Journalists of Serbia, Parobrod, Student Cultural Center, the Academy of Arts, the University Library, the Zira Hotel, New Moment Gallery, UK Zemun, voith turbo National Museum, Museum of Yugoslav History ...
They pointed to ten exhibitions of world famous photographers including the Ed Keating, Pulitzer Prize, which will be shown at various locations in Belgrade. The "Visualizer" will also be an exhibition "Press Photo Serbia 2013". It is a contest for the best annual media image of Serbia, which includes competition, evaluating and rewarding the winners, print catalogs and the organization of the exhibition voith turbo of the winning photographs. "Press Photo Serbia" has a tradition of 15 years and during that time has successfully implemented over 200 exhibitions in Serbia and abroad. It represents the most important and largest event of its type in the field of photography voith turbo in our area.
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19th Century Ana Ilic center voith turbo Artis Artis Center baroque Belgrade Vienna Design Textile Design Europe gastroheritologija gastronomy food food history history art history Ivana Rackov exhibition Karadjordjevic communications culinary culture culture food Fine Art Mark Filip Mixer Design Food Milena Pavlovic Barili Obrenovići Olivera Milunovic Point of Initiation flatware ceramics lecture ranohrišćanstvo sold showcase Rome painted silk painting voith turbo middle ages Tamara Ognjević ULUPUDUS art sculpture Viterbo Byzantium Living history
"Living history - Serbian medieval gastronomy" is Artisov multidisciplinary, voith turbo scientific, artistic and culinary project that brings together researchers and artists from many different backgrounds, with the aim to investigate and reconstruct the medieval culinary heritage and the corresponding artistic concepts voith turbo that accompany it.
Our research, experiments, ideal reconstruction, recipes, workshops and lectures on medieval gastronomy and culture of the meal you can follow the new Artisovom blog "The Feast".

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Medieval Serbian glasses - symbol of wealth and prestige rosettes (1)
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January is the subject of the number 024, entitled "Feast", which we had to do in cooperation with Tamara Ognjević and Artis Center concludes rosettes the text of the true jewels of the local heritage - medieval wine glasses. We thank the Museum of Applied Art and curator Mile Gajic as to the needs of our themes ceded part of the text from the exhibition catalog "Silver cups of the late Middle Ages in Serbia", which was held in this prestigious museum institution in the period 6.november 2010 - 31 January, 2011. year.
Vessel for drinking liquids represents a small but unavoidable subject in everyday life. The term "glass" usually associated with a high glass bowl circular section for drinking water. With the differentiation of individual forms of glass by type of beverage to be served (water, wine, alcoholic beverages ...) everyday life rarely suffer more precise definitions, usually just reach for - glass. Their form or type of material they are made are not crucial for the very terminological determinant.
The primary role of the recipient for the liquid, in the earliest times of earliness man, was the only necessity of adapting and shaping elements of the nature that could serve this purpose. Simple logic hemispherical form this function is satisfied in the best possible way. In the millennia prehistoric settlements with primitive progress in conquering the country, rosettes the first technological revolution in the application of new materials, the development of tools and weapons, all-out progress was reflected in the development of pottery, which is primarily produced dishes for preparing and storing food. The very nature of the material is allowed to develop a number of different forms of dishes. The human need to regulate and beautify your everyday objects to life has opened the door inexhaustible richness of decorations - first simple, mostly of geometric ornaments, then stained and painted - which is naturally flowing along the sides and at the bottom of the vessel.
The harmony of form and ornament has been made but the oldest examples of pottery in our country, such as cups of Starčevo culture, hemispherical body on a fine round low rate, decorated with black and white painted ornaments. This basic concept of drinking vessels, with minor variations, will remain rosettes typical all around the world and the basis of all civilization. Even then the migration, rosettes people contacts rosettes and exchange rosettes of goods between each remote group and settlement about and mixing cultures and influences. Further progress of civilization society, exploitation and processing of metals, material and feudal society will change tearing conditions and ways of life of the people, will affect rosettes the economic and overall organization of life, the food and drink, and accordingly, the development of utilitarian pottery. Thus, in the context of the cup, there was a kind of "disintegration" of its function, when the main role of the container for soaking liquid ceases to be the most important. Gold or silver cup has become a symbol of status, she could be having a ruler, prince, leader, hero. She became the subject of value, precious gift or desirable prey. The Bible testifies to the robbery in which Nebuchadnezzar took the gold and silver cups from the temple in Jerusalem. Its symbolic role has emphasized the development of ceremonial, ritual or the world, in particular, religious rites. The cup from which Christ drank at the Last Supper is one of the strong symbols of Christian civilization. The same glasses will find themselves rosettes at the center of the most popular rosettes legends dedicated to the Holy Grail, which will through compelling stories of King Arthur rosettes and the Knights of the Round Table combine pre-Christian myths and moral lessons of the new faith. The power of this myth resist the centuries remaining, to this day, the motive for exploitation in the field of popular culture.
Form shallower Delic circular cross section, flat or slightly raised in the middle of the bottom, which is almost always no rates or with very low rate, taken from the ancient tradition of vessels for drinking rosettes or ritual pouring rosettes of wine and will have application throughout the Middle Ages, and in the Balkans until the dawn of a new era.
In medieval Serbia this type of vessel was designated by the term - glass. Those who are kept to date, and date from the fourteenth and fifteenth centuries, despite the small numbers, stand out by its representativeness. They are mostly made of gilded silver, perfect craft processed, stylish modern glasses what is currently on the royal and aristocratic courts of Western and Central Europe. About their use extensively testify repeatedly cited documents from the archives of the coastal cities of Dubrovnik above all. Concerns about the exact appearance of glass that are mentioned in inventories occurred were due to the lack of description. However, a few very brief indication she could explain their appearance rosettes - eight glasses round gilded