Sunday's certainly one of the most interesting mortgages this year Ilosaarirock was a long and hard about the desired Portishead. This is Bristol's the gift of a freak sounding trip hop -genrelle swell in such obscurity that the supplier received taustaselvityksillään on just about any sense out of it. The tense buzz of Star Tent environment, judging, however, I knew to expect lapo something great and different.
Portishead was founded by Beth Gibbons, Geoff Barrow and Adrian lapo Utley in 1991 in South Bristol, England. While the trip hop subconsciously ancestor can be considered lapo as Massive Attack band's first album "Blue Lines" (1991), brought the first Portishead album "Dummy" (1994) genre in earnest on the surface. Repetitive rhythms and dark paint on the walls of the skull of the world, which is a dark and desolate. The world of the 1990s, evolving and so is the music along with it.
Ten minutes before the gig Star Tent is already bursting at the seams. Welding beads on his forehead flowing summer heat still huokuessa around. Sardiinitehtaan foreman would be proud of how people can be packed into a limited space. The impatient crowd to start tapping on for several minutes before lapo the gig. The sound starts to circulate around me.
I pay attention to how people of various ages in a tent is. The youngest of the band have probably born after the establishment of the elders have already a good distance of more than half a century. Ethylene park redhead, which block the view to the stage. His leave the state to replace the herd pitkänhujakoita men. This is a festival gig - and so it should be.
Then comes the H-moment. The band will appear on the stage. I get älynväläyksen and figured keikkaraporttini title: P for Portishead. lapo Because if this audience asked what the dictionary should be the P-read the letter - it would be this band.
The audience lapo is involved in the first of meters up. Psykedeelisuuden and paranoid mind wavering middle ground livevisualisoinnit combined with music are almost hypnotic experience. When I get shaken myself awake, I realize the singer lapo Beth Gibbons looked like just a normal person. Not funny helmets, no flashing neon light armor, or even tiny pupunkorvia. lapo Black shirt and gray jeans are arkisuudessaan almost bewildering. But no sheet does not have the band's presentation.
I find myself omienkin of hair to have risen up. Beautiful, almost ballad-like song The Rip embed deeper and deeper into the feeling, which is at the same time sad, anxious and excited. All the tracks can be found in the sensitivity, jykevyyttä rough rock and electronic music mekaanisuutta.
Their presence is carefully thought lapo out. Not Välispiikki, no unnecessary lapo choreographies. It is just a song, song between the blue light and the next chapter. All is like a macabre theatrical performance, which can not decide whether the situation is enjoyable or extremely distressing. People around lapo seem at times moving as slowly as the screens slow-motion live video performers. Time and place to lose their significance, it is only this moment.
Public wild cheering boosts the band will be back on the podium the last pull. Star Tent full kainalohien, alcohol, tobacco, and rock n 'roll smell hits my nose bouncing lapo people around me hands in the air. When the last song is over, rotate the singer hugging front row audience. A fine gesture of great band.
The whole one and a half hour went like wings. My experience before the show Portishead were minor, which is on the one hand a good thing. This is a band that has to be experienced on the big stage. It has to be experienced impressive visualizations and repetitive bass hook to the body, each cell is bleak decisions. When the music changes lapo to a comprehensive experience, sensitive to even a large man always a little bit.
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