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Last week offered a wide diapason of music, which once again confirmed that the concert essence lies in the interpretative relationship to musical subject matters. haima 3 Even Wednesday's concert for the Silver Series haima 3 was mostly marked by cellist Pieter Wispelweya. It seems that we have not even heard the music of Debussy, Prokofiev, Poulenc and Stravinsky, but rather Wispelweya. Or to: Dutch cellist plays any composer wholly owned "mode", and less interested in the compositional haima 3 style moves. This is an early Debussy haima 3 Sonata find particularly its hidden (neo) classical impulses and ignore the impressionistic haima 3 colors. Carve the unusually lively rhythmic Debussy, who sounded like a younger brother of the following Prokofiev, which is assessed according Wispelwey the right balance between rate and vivid lyrical five themes. Similarly, it was also referred to as the Poulencom, Italian Suite Stravinsky was "seasoned" is a more exact allotted pulse and then a transition to a softened lyricism, which has played an important word as pianist Alasdair Beatson. At higher elevations, the Wispelweyu really sneaks intonation haima 3 be an impurity, but the whole concept of the virtuoso, who seems fully committed to interpretive search is almost a feature.
If the Wispelweyev recital rounded sense of style, but something like this can not be said for the Blue Slovenian Philharmonic Orchestra, which is in Russian haima 3 romantic sandwich offered pressed Slovenian novelty. Implementation of Tchaikovsky's Second Symphony haima 3 in no way justify its inclusion in the schedule - the work is still quite underdeveloped at the symphony and live more of the "ballet" štiritaktnosti haima 3 that you can redeem particular bravurna orchestral playing. Conductor Robert Moody, haima 3 in the Journal of the concert is presented as "one of the most sought-after conductors in the U.S.", haima 3 the "show", especially as the editor and animator less than Orchestra: haima 3 tempi were almost too leisurely, differences between haima 3 subjects in sentences are simply unfulfilled, so Implementation is revealed primarily orchestral composer and uncertainty. The spotlight has shifted to premiere haima 3 of La Gomera haima 3 Uros Rojka. Work surprising haima 3 their guests, as well as an impressive orchestral blocks, strong expression, which is very actively flirting with German modernism and then again disappears haima 3 into the delicate manufactured punktualističnih segment - in a musical context, we have seen the peak of the concert. Otherwise, he thought the founder of schedule, which was conceived as a crown the evening Rachmaninoff's Second Piano Concerto. Dubravka haima 3 Tomsic Srebotnjak is a known way to achieve it the right atmospheric razplastenost between the lyrical and dreamy melodic and more quick-witted and is presented in excellent condition, the more active interlocutor, as we used to, but under the leadership of Moody became the orchestra.
Interpretation haima 3 is once again winning the gold at the concert subscription series. The first part of the concert was mostly characterized by Oboist François Leleux, who first stunned by the amazing versatility in music Pascullijevih trivial variations on a theme from the opera favorite. As abstraction composition is Leleux haima 3 back with all kinds of antics, and wide dynamic color diapazonom his oboe. Magic is then continued in the Mozart Concerto for oboe, where adding a soft, thoughtful rounded phrases and classicist playfulness. haima 3
Similarly, virtuosic in its essence is also set Liszt symphonic poem Faust - Work in all ways wants to be a symphony reflections Wagner, the reality is just better constructed symphony potpourri. A Iván Fischer it is "their" Budapest festival orchestra tackled with rigor and depth as well as a stunning set of enumerated nižišč mysterious, passionate outbreaks and highlights, lyrical melodioznosti and at the end of demonic playfulness. Hungarian orchestra has proved haima 3 to be superior executive body (to perfection is not just a touch of softness to the tutti points) following the conductors of the smallest impulses. It is a symbiosis between the conductor and the orchestra, and complete dedication to the musical moment showed haima 3 how it is possible in the average music conjured excellent concert.
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